Have a Cigar (10.12.13)
Part 1
Part 1
Spending too much time online looking up
semi-popular music artists that have fallen off the radar can be a
semi-dangerous—or, at least, semi-expensive—pastime. Finding Chris Connelly led me to
attend a weekend symposium on the music business in Chicago. I don’t regret the
experience, especially having gotten the chance to spend some moments with Chris
and let him know that his artistry was appreciated. “Shipwreck” is one of my all-time favorite CD’s.
Rediscovering Pat MacDonald led to a
more involved and expansive series of events that ended up having nothing to do
with the ex-Timbuk 3 frontman and one of the most clever artists of the early
days of the music video era. What it
did lead to was spending time at a tiny bar and one-of-a-kind museum located
about 45 minutes east of the East’s last real city—or the Midwest’s first.
Pat’s current project is another two-person
group called Purgatory Hill. I opened a video and watched it repeatedly, trying to figure out what the hell he
was playing. It looked like a box with strings running along a pair of
broomstick handles. It was electrified, and he was playing it like a slide
guitar. It turned out that the body was a cigar box.
I had never heard of a cigar box guitar, so I
set about learning more about it. I found that these guitars can have any
number of strings, from one (making it a “Diddley Bow”) to six or more. Many,
including those I saw on other YouTube videos, seemed to have three strings.
This was appealing to me for the sole reason that it must be easy to play. It
is, if you are willing to be satisfied with a basic repertoire.
I know because I bought one (see photo at right). Like all
instruments of this type, it was made by hand. I got it on eBay from someone in
Alaska. It has an electric pick-up and short neck. I went back to the online
store for a medicine bottle slide and began messing around with it.
For help with getting started I sought videos
on YouTube. Here I came across a series of tutorials by a
self-proclaimed “king of the cigar box guitar,” Shane Speal. There were many
more aficionados out there than I would have imagined, as evidenced by their online
presence.
As is usually the case, more research
revealed more connections. I never dreamt that the next one would lead me just
down the road to the aforementioned establishment near Pittsburgh. I came to
learn that Shane was part of a family that had for years owned Speal’s Tavern. I had passed this place hundreds of times but never even noticed
it.
It turned out that this was not just some
dive bar, it was home of the world’s largest collection of cigar box guitars.
The museum within a tavern was Shane’s brainchild. It includes instruments he
made, that others made, and even one from the early 20th Century.
The display also includes informational plaques identifying each one and still
more with interesting facts about the origin of the instrument and how artists
like Hendrix, King and others started playing guitar on their own handmade
cigar boxes.
A longtime friend of mine supplied the final
connection that gave me a great excuse to check it out for myself. Her husband Dennis James, a
guitar-slinger from “down under,” played somewhat regularly at Speal’s. I
learned this because when my Alaskan guitar was delivered to my office, my
friend saw it and immediately recognized what it was. That was surprising
enough. When she told me that her husband played at Speal’s, I was floored. She
suggested I come for his next appearance there, which I naturally did.
Explore the interactive version here! |
After seeing the exhibit for myself, I
contacted Shane and his dad to make arrangements to create a virtual tour of
the place. I was quite pleased with the way it turned out. It can be explored in great detail in
two parts at GigaPan.com.
Explore the interactive version here! |
(Next week: part 2)
No comments:
Post a Comment